Round and round they go. When they’ll stop, nobody knows.
I have been fortunate to be involved with quite a few races over the last several years. Some as a volunteer. Some as a runner. Some as a photographer. Sometimes I’ve been involved in more than one way at a given race. My good friends were putting on a race to help support our local youth running club, SOAR. I wanted to be involved in the event and support them in their efforts.
The race was called The Monster Brant Hill Challenge put on by Rebellion Running. It was held at Newtown Battlefield State Park in Upstate, NY. The race format was a timed loop course event. The runners would have 3 hours to complete as many laps as they could or wanted to. I had only ever participated in one timed loop course event before and I enjoyed it more than I expected. I had never photographed an event held in this format before.
I started off photographing some impressive younger youth athletes that took on the one hour youth course.
I was very intrigued as to how this format would lend itself to photography. My normal process is to scout out what I think will be the best location on the course to take photographs and stake out a position there and photograph every runner as they pass me by. The format of this race lends itself to so many different possibilities that it threw me of my game a little bit.
One thing I did differently was set up a GoPro at the aid station taking time lapse photos every second to record the runners as they made their nutrition choices. The cameras recorded over 14,000 images which I have not even begun to go through yet, but it ought to be interesting. Also, it is highly advisable to turn off the camera after the event so you don’t have thousands of empty frames to look at and delete. And you should pick up said GoPro so the race crew don’t have to bring it back to you after the event. There are always new wrinkles and things to learn from.
I began the event by photographing the runners as they took off down the trail at the start of the event. Then I moved around to the other end of the loop and went up the trail a little ways from where the loop ends so I could photograph runners completing their first lap. Then I moved back to where the end of the loop was and the aid station was set up to photograph runners as they made the turn to continue for another loop or stop for some aid.
I decided to make my way around the loop in reverse so that the runners would be approaching me as I walked up the trail. I stopped and photographed each runner from wherever along the trail I encountered them. This was really cool to be able to feature a large portion of the course in photographs. It also allowed for runners to be featured in different ways as they were covering different terrain on the course. They were able to get photographs on flatter faster sections where they felt better as well as on the tougher sections. I really enjoyed the variety of different photographic opportunities that were made available by being able to move throughout the course without missing any runners.
As I made my way around the course I stopped in a few key spots to photograph all the runners as they came through. These key locations were on the climbing section of the course. I know runners really hate having their picture taken during the tough climbs on a course but as a photographer I always feel like they make for some of the best photographs because they really show the blood, sweat, and tears that the runners are putting into running the race. You can really see the runners working and see the determination etched on their faces as they climb. Also, going out on the course more gave me a better appreciation for the conditions on the trail that the runners were dealing with.
I think this having so many opportunities for photos during one race also allowed the athletes to have more fun with their race photos at this event.
Photographing this type of event also freed me up to be more creative and take chances with some photography. I really strive to get a quality photograph of every runner at a race so I don’t like to do things that might cause that not to happen. But on the loop course I knew I had already seen all the runners multiple times and I was confident that I had good photographs of everyone. I used my smaller camera with a wider angle of view on the trails to photograph the runners on the trails as they passed by me. The goal of the photographs was to pan with the runners and shoot at a slower shutter speed than normal to create a sense of motion as the runners move. This sense of motion can be generated in the background as I pan the camera with them and in the runner’s body’s as their arms pump and legs strike the ground and push off. This series of photographs will have a more artistic feel to them. They most likely will not have a crisp image of the runners in many of them.
Now I have really come to like this race format as both a runner and a photographer. I am looking forward to photographing another event like this and sparking some even more creative ideas.
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